Interfaith Panel Denounces a 9/11 Museum Exhibit’s Portrayal of Islam - NYTimes.com
Past the towering tridents that survived the World Trade Center collapse, adjacent to a gallery with photographs of the 19 hijackers, a brief film at the soon-to-open National September 11 Memorial Museum will seek to explain to visitors the historical roots of the attacks.
The film, “The Rise of Al Qaeda,” refers to the terrorists as Islamists who viewed their mission as a jihad. The NBC News anchor Brian Williams, who narrates the film, speaks over images of terrorist training camps and Qaeda attacks spanning decades.
Interspersed with his voice are explanations of the ideology of the terrorists, rendered in foreign-accented English translations.
The documentary is not even seven minutes long, the exhibit just a small part of the museum.
But it has suddenly become over the last few weeks a flash point in what has long been one of the most highly charged issues at the museum: how it should talk about Islam and Muslims.
With the museum opening on May 21, it has shown the film to several groups, including an interfaith advisory group of clergy members. Those on the panel overwhelmingly took strong exception to the film and requested changes.
But the museum has declined.
In March, the sole imam in the group resigned to make clear that he could not endorse its contents.
Sitting in his mosque, Sheikh Mostafa Elazabawy, the imam of Masjid Manhattan, answered questions about why he found a film about Al Qaeda at the museum deeply offensive.CreditDamon Winter/The New York Times
“The screening of this film in its present state would greatly offend our local Muslim believers as well as any foreign Muslim visitor to the museum,” Sheikh Mostafa Elazabawy, the imam of Masjid Manhattan, wrote in a letter to the museum’s director. “Unsophisticated visitors who do not understand the difference between Al Qaeda and Muslims may come away with a prejudiced view of Islam, leading to antagonism and even confrontation toward Muslim believers near the site.”
Museum officials are standing by the film, which they say they vetted past several scholars.
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